There are two effective ways to encourage your piano students to fall in love with piano and piano practice. The first, is to to change the way your students physically experience piano with things like practice incentives, games, and motivating repertoire. We talk often about these things on the blog.
The second, is to change the way your piano students THINK about piano, piano practice, and music in general. This is equally as effective, just as important, and yet… often ignored. But not today!
Today we’re going to show you the power of a mental shift…
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Aren’t we fortunate? We were all given the opportunity at some point in our early lives to learn a musical instrument.
Aren’t we blessed? We have a versatile instrument in our own home that brings us joy, relaxation, excitement, and pleasure.
Aren’t we lucky? This instrument that we love is also our livelihood and allows us to tangibly see the difference we are making in the world through the students we teach.
Aren’t we ready… to help our piano students foster the same grateful mentality?
A Shift in Thinking… Is it Possible?
One of the goals I have for my piano students this year is to work to instill in them a sense of reverence for music. I want them to truly understand what a gift it is to be able to play the piano… and to banish forever, the “Piano Is A Chore” mentality from my studio.
We all, at some point, can find ourselves speaking of piano and piano practice as a chore… as something that is imposed upon our students and, therefore, as something that children would rather not do. But what would happen if we instead began talking about piano and piano practice as a gift?
What if our students felt that their piano lessons were a privilege? That they were fortunate to learn how to make music?
When I first started to think about this, my initial thoughts were “This is going to be next to impossible. It’s like telling your child to finish her spinach because there are disadvantaged children who have no food at all. Or explaining to a child how other 8-year-olds have to walk miles just to get clean drinking water. They hear me, but it’s too abstract… too far removed from their own reality”
But I’m not one to give up on something because it might be difficult.
Project “Piano Is a Privilege”
How do we even begin to ask children to see their piano lessons as a privilege? To understand and comprehend their good fortune in having the opportunity to become a musician?
I’m going to be working towards creating this mental shift… here’s what you can do to join me:
1. An appetite for good music
Encouraging your piano students to regularly listen to a variety of music gives them the opportunity to experience the emotions that music can produce and to gain some understanding of the important role that music plays in life.
Bring awareness to live music experiences your piano families may want to attend by posting about local events on your studio’s Facebook page. Continue to help your families develop an appreciation for music by sending home recommended listening lists weekly. Also, include listening activities in your lessons to get your students started on frequent music appreciation.
2. A chance to see the effects
One of the best ways to begin to understand the gift that is music is to first give it to others. Seeing the joy that music brings to people helps us reflect on the joy that music brings to our own lives.
Consider using your recitals as “benefit concerts” for a family or individual in need in your community for a tangible way to show how music can bring about change. You may also want to provide opportunities for your students to perform for those who don’t always have access to music (extended care facilities etc.). Children need to see first-hand that their music can have a profound effect on other people.
3. Reaching a goal
Every student should have a piece of music that they adore. When I was a kid it was the theme from the TV show Cheers. I heard someone play it in a recital and I worked like nobody’s business to get to the level where I too could play that piece.
When I reached that level, I felt a keen awareness of my own progress and experienced a shift in my thinking toward piano practice; it was no longer something I did for my parents or my piano teacher. It was something I did for myself.
Help your students find the music that makes them tick by providing exposure to lots of motivating and inspiring repertoire. Find that one special piece that your student just can’t wait to play. Keep them excited about reaching that goal.
4. Finding role models
Community building within your studio can result in the formation of role models; older students that your younger ones can look up to and yearn to emulate. There was nothing I wanted more as a young music student than to be able to play and sing like a girl named Lisette. I’ve never forgotten how motivating it was to “become Lisette” one day.
Give your students many opportunities to see your intermediate and advanced students in action. Show them the similarities between their role models and themselves (Jason used to love this piece too!) and give them opportunities to connect with their musical peers. This encourages your students to strongly identify themselves as musicians.
5. Building awareness
Adding music history to your lessons (even in a small way) is a powerful way of having your students understand everything that had to take place for their piece to be sitting on their piano. Some children have never given this a thought.
Bring composers to life through interesting stories and then pair the time period of their piece with visual examples of the art and architecture of the same period… anything you can do to interest them in why their music is the way it is will begin to build an appreciation for the music itself.
If you teach the music of living composers then encourage your students to reach out and connect with them through social media or good ol’ snail mail.
6. Taking ownership
Encourage your piano students to take ownership over their own learning processes by making repertoire selections, bringing in ideas of music they’d like to play, and deciding on the order of your lesson activities with the ultimate goal of having our students make home practice “their project”.
Taking ownership also means giving your students the ability to create their own music. Self-expression and the ability to “compose the music you wish the world had” results in undeniable gratitude for the ability to play.
7. Changing The Lingo
I haven’t ever put time constraints on the home practice I expect from students (I prefer instead to make it goal-based) but I am going to continue to change the way I talk about practice.
Having my students make the decisions about what they would like to accomplish, using phrases like “You get to play this piece as much as you like this week!” and generally changing the focus and the vocabulary I use away from practice being viewed as a chore is a goal that I’ve set for myself this year.
8. The Best Part Of This Experiment?
As I’ve started this, I myself find that I am more mindful of the good fortune I’ve experienced in having the privilege of music in my life. While working to inspire the idea of the piano as being a gift in the lives of my students I’m finding that I’m more aware of the gift it is to my life.
Will I reach every single child and shift their thinking successfully every time? Probably not… but for the sake of the ones I do, my efforts are certainly worth it.
Looking for Hands-On Practice Help?
We hear it every single day… piano teachers want their students to practice more! Check out these articles for some practical help in inspiring practice:
The 5 Biggest Practice Excuses And How To Make Them Go Away
Your Not-So-Musical Parents Need This Piano Practice Cheat Sheet
Gary Johnston says
Brilliant! Thanks for this.
GJ
Andrea says
Thanks for reading Gary 🙂
Denise says
Thank you for these wonderful ideas, Andrea! I have been struggling with this for awhile, as I have just lost a few students because of their “piano is a chore” mentality. All 3 of them told me they simply don’t feel like putting the work into it anymore and their parents haven’t encouraged them at all. Yesterday, I was speaking with my friend and colleague, who has her doctrate in piano pedogogy, and asked her how to change a child’s mentality toward piano lessons and practice. I have another student who’s parents told her, “You only have to take lessons until you finish book 3B”. What?!! Why 3B? Why give a child an end? She told me to allow the child to take ownership of her own learning and progress. What are the goals of the student, not the parents. So, I will take the advice of my friend and the advice of you, Andrea, and try to change the focus and mentality of my students (and their parents). Not an easy thing, especially when parents “just want their kids to be happy”.
Denise says
sorry….”doctorate”. 🙂
Andrea says
Hi Denise – yes… I fully admit that this is an uphill battle when working some kids. It can be difficult to be the only one in the child’s life who is working towards these goals (and sometimes you have someone working in the opposite direction to contend with as you mention). I have big dreams, but I’m also a realist and so I have decided to do my absolute best with every student and know that that’s all I can do sometimes. However, for the ones that I DO reach, my hope is that my influence has been so strong that they will feel inspired to do the same at some point in their own lives. And for me… that’s enough of a payoff to keep working hard at it 🙂
Denise says
I completely agree! While I’m sad when I lose a student, I continue my enthusiasm and joy as I focus on the committed students. Thank you for all your great advice and resources! 🙂
Tracey B says
Absolutely wonderful! Thanks for both a practical and inspiring post!
Barbara says
With regards to #2, I had my students perform a benefit concert for our local Humane Society. Each student played songs related to animals — “Bingo” was played 5 times:) — and the Humane Society brought adoptable dogs. The “fee” for getting into the concert was a donation to the HS, either monetary or food/supplies. Result: 3 dogs adopted, $300 donated, a trunk full of supplies, AND kids who couldn’t wait until “Concert Day.” It was a definite win all the way around.
Thanks for all the other ideas. I, too, often think how lucky I am that I had the opportunity for piano lessons, and I hope to pass that attitude along to students.
Andrea says
Barbara – as a lover of animals this idea I ADORE this idea! What a success your concert was – 3 adoptions, $300 and supplies is incredible plus all the awareness you created is amazing. I love it, love it, love it. What a great way to show the good that music can do for ALL things, not just people 🙂
Melissa says
Great article! I include #4, #5, and #6 but I could do much more. I also talk to some of my students about what great musicians they are and not only compliment how well they play a piece, but ask how they feel being able to play something they enjoy. That helps me get into a conversation about being an amazing human being who is worthy of joy, beauty, love. The good feelings from playing a piece they love help me to connect that to practice. Even though some parts of practice may be hard, some parts are wonderful, fun, and beautiful. So the questions I pose is…aren’t you worthy of those feelings every day? YES! We all are! (This can be a hard intrinsic motivation concept for young learners so these conversations happen with my middle and high schoolers.)
I admit that it is a continual process, but I also view practice habits as constantly evolving. I know mine have!
Shameless plug: My students really practice and look forward to getting new songs from the Fearless Fortissimo series. Thank you for creating such fun pieces! I just had a student ask last night, “Do you have any more with glissandos?” (We’re just going to start adding them where he wants to!) My students feel so good playing those pieces and so accomplished learning new techniques that it makes that motivation to practice come more easily.
Thanks again for all you do!
Andrea says
Hi Melissa – thanks for sharing this really great point about asking how your students feel about being able to play something they enjoy. This is an important statement – because while our students may “feel good” when they play a piece they love, giving words to that and bringing attention to that can really help to bring a more keen awareness to the fact that these feelings are happening *because* they can play the piano… and they can play the piano *because* they work hard at it at home. It seems silly to have to connect those dots, but for some kids it’s a real awakening! Thanks for sharing – and we’re SO HAPPY to hear that Fearless Fortissimo has found a happy spot in your studio 🙂 Episode 3 is coming very very soon (just a few weeks!)
Jane says
I love this article! I have a student, now a teen, who struggled some, but once she found that she could get scores from Dr. Who, and other shows and movies, her playing has just taken off! I’m working on setting up a lending library, for classical CDs, books on composers, and sheet music, in hopes of inspiring ,my students more. This is truly a gift we’ve been given, and giving it to others is such a privilege! Thanks, Andrea, for sharing with us! Great article!
Andrea says
Thank you Jane! Isn’t it exciting when you see that spark happen in a student – it’s what we all do this for 🙂
Shelley says
Andrea, something that would be cool is that when you send us the book club, answer your questions for us. “Understand everything that had to take place for their piece to be sitting on their piano”. What were you thinking or what inspired a piece or a group of pieces. How did you go about composing it…..etc, etc, etc. Thank you.
Andrea says
Hi Shelley – I’d always welcome any emails or Facebook posts from your students too! Lots of teachers send us videos of their kids playing the PianoBookClub music and it’s really cool to be able to write back 🙂
Megan Hughes says
It’s important that piano teachers be making music themselves. Too many teachers haven’t really studied music since college. I tell everyone to find another teacher and take lessons yourself. If you can’t find the joy and excitement and, yes, sometimes frustration, in music yourself, how are you ever going to project it to your students?
Patricia Gatesman says
Great idea about ” Piano is a chore”. I think we forget about many of these things as we go along each week although I started off planning to let children play a favourite piece, having concerts at local homes etc. Also we started having mini Recitals in my flat, & 2 Recitals a year, which are all goals for children , but hard to maintain.
Georgina says
Great ideas!
Joy says
Well, I try not to use the word practice. Instead, I say PLAY. It just sounds like more fun!
Cheryle says
This is so motivating and helpful!
Susan says
Love these ideas! Positive phrasing here we come! 🙂
Eileen says
Wow, what great suggestions. I am a choir and orchestra teacher. I can see applying these same ideas with my orchestra students. They do lose interest and not everyone practices. Thank you for sharing.
Eileen
Eileen says
Megan, you are so right! It is hugely important that your students know that you are also learning, participating, and performing as well. I not only teach, but I am a member of my community orchestra. I believe in keeping my skills fresh and I talk to my students about the music I am playing and the experiences I am having in the orchestra. I also invite them to my concerts.
jenny says
These suggestions are really excellent.Students need to be shown the idea that piano playing is part of the whole scheme of life. The music is a gift works for me as does giving them information about the composer.Context seems to help them relate to what they are playing.
Giving them a role model to aspire to like Lisette I think is excellent too.I hadn’t thought of saying” you, get to practice this as much as you like.”It is saying to them they have a choice.Thanks very much for your insights.
Andrea says
Glad you found it helpful, Jenny! 🙂